“… a player of rare perception, with a keen ear for timbres and a vivid imagination.”
The Strad

"... Eugelmi delivered with striking authority..."

Milwaukee Journal Sentinel
“… perfect of style, intonation and sonority.”
La Presse, Montréal
“... beautiful lyrical playing in the slow movement, particularly from violist Nicolò Eugelmi...”
The Strad
“Nicolò Eugelmi introduced them [Brahms Songs Op.91] in a desirously round colour, with a broad and generous sonority. However, not to overstate: this finely proportioned accompaniment is ideal, perfectly balancing the romantic lyricism and classical inclinations of the composer.”
“… the ideal soloist.”
La Presse, Montréal
"... a lot owed to the subtle phrasing and controlled vibrato of the very fine violist Nicolò Eugelmi.”
Vancouver Sun
“Michael McMahon's piano and Nicolò Eugelmi's viola in Zwei Gesänge opus 91 [with Marie-Nicole Lemieux], balance and form an intertwining of sinuous lines. It is undoubtedly an encounter written on the table of destiny ... A pure delight ... A sonorous oasis in the lost paradise of Brahms.”
Resmusica, France
“The piano of Michael MacMahon, and the viola of Nicolò Eugelmi accompany delicately, devoid of any excessive pathos, subtle, caressing, delicate.”
Ramifications, Brussels
“Their [Marie-Nicole Lemieux, Michael McMahon, and Nicolò Eugelmi's] flowing, introspective lines are balm for the
Opera Canada
Total: 10 (Viewing: 1–10)