“… a player of rare perception, with a keen ear for timbres and a vivid imagination.”
— The Strad
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"... Eugelmi delivered with striking authority..." — Milwaukee Journal Sentinel
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“… perfect of style, intonation and sonority.”
— La Presse, Montréal
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“... beautiful lyrical playing in the slow movement, particularly from violist Nicolò Eugelmi...”
— The Strad
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“Nicolò Eugelmi introduced them [Brahms Songs Op.91] in a desirously round colour, with a broad and generous sonority. However, not to overstate: this finely proportioned accompaniment is ideal, perfectly balancing the romantic lyricism and classical inclinations of the composer.”
— Anaclase.com
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“… the ideal soloist.”
— La Presse, Montréal
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"... a lot owed to the subtle phrasing and controlled vibrato of the very fine violist Nicolò Eugelmi.”
— Vancouver Sun
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“Michael McMahon's piano and Nicolò Eugelmi's viola in Zwei Gesänge opus 91 [with Marie-Nicole Lemieux], balance and form an intertwining of sinuous lines. It is undoubtedly an encounter written on the table of destiny ... A pure delight ... A sonorous oasis in the lost paradise of Brahms.”
— Resmusica, France
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“The piano of Michael MacMahon, and the viola of Nicolò Eugelmi accompany delicately, devoid of any excessive pathos, subtle, caressing, delicate.”
— Ramifications, Brussels
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“Their [Marie-Nicole Lemieux, Michael McMahon, and Nicolò Eugelmi's] flowing, introspective lines are balm for the
soul.”
— Opera Canada
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